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jones has delivered a solidly entertaining and moving family drama .

-lrb- h -rrb- ad i suffered and bled on the hard ground of ia drang , i 'd want something a bit more complex than we were soldiers to be remembered by .

it 's sort of in-between , and it works .

he 's the scariest guy you 'll see all summer .

unfunny comedy with a lot of static set ups , not much camera movement , and most of the scenes take place indoors in formal settings with motionless characters .

a movie in which two not very absorbing characters are engaged in a romance you ca n't wait to see end .

a cultural wildcard experience : wacky , different , unusual , even nutty .

mediocre fable from burkina faso .

a hallmark film in an increasingly important film industry and worth the look .

the worst film of the year .

a funny , triumphant , and moving documentary .

for the most part , the film does hold up pretty well .

it 's about issues most adults have to face in marriage and i think that 's what i liked about it -- the real issues tucked between the silly and crude storyline .

there 's a spontaneity to the chateau , a sense of light-heartedness , that makes it attractive throughout .

in fact , it 's quite fun in places .

it 's a barely tolerable slog over well-trod ground .

manipulative claptrap , a period-piece movie-of-the-week , plain old blarney ... take your pick .

not that any of us should be complaining when a film clocks in around 90 minutes these days , but the plotting here leaves a lot to be desired .

it 's crap on a leash -- far too polite to scale the lunatic heights of joe dante 's similarly styled gremlins .

hollywood ending is not show-stoppingly hilarious , but scathingly witty nonetheless .

the climactic events are so well realized that you may forget all about the original conflict , just like the movie does

it 's an exhilarating place to visit , this laboratory of laughter .

as crimes go , writer-director michael kalesniko 's how to kill your neighbor 's dog is slight but unendurable .

genuinely unnerving .

enriched by a strong and unforced supporting cast .

without any redeeming value whatsoever .

an intoxicating experience .

rock solid family fun out of the gates , extremely imaginative through out , but wanes in the middle

they cheapen the overall effect .

this engrossing , characteristically complex tom clancy thriller is shifty in the manner in which it addresses current terrorism anxieties and sidesteps them at the same time .

it 's exactly what you 'd expect .

what results is the best performance from either in years .

a feature-length , r-rated , road-trip version of mama 's family .

s1m0ne 's satire is not subtle , but it is effective .

has its charming quirks and its dull spots .

an already thin story boils down to surviving invaders seeking an existent anti-virus .

a confluence of kiddie entertainment , sophisticated wit and symbolic graphic design .

a period story about a catholic boy who tries to help a jewish friend get into heaven by sending the audience straight to hell .

a film that should be relegated to a dark video store corner is somehow making its way instead to theaters .

deliberately and skillfully uses ambiguity to suggest possibilities which imbue the theme with added depth and resonance .

and more than that , it 's an observant , unfussily poetic meditation about identity and alienation .

exploits -lrb- headbanger -rrb- stereotypes in good fun , while adding a bit of heart and unsettling subject matter .

resurrection has the dubious distinction of being a really bad imitation of the really bad blair witch project .

the film did n't move me one way or the other , but it was an honest effort and if you want to see a flick about telemarketers this one will due .

fluffy and disposible .

in its treatment of the dehumanizing and ego-destroying process of unemployment , time out offers an exploration that is more accurate than anything i have seen in an american film .

odd and weird .

the beauty of alexander payne 's ode to the everyman is in the details .

wait for it to hit cable .

no matter how much he runs around and acts like a doofus , accepting a 50-year-old in the role is creepy in a michael jackson sort of way .

he gets his secretary to fax it . ''

meyjes ' provocative film might be called an example of the haphazardness of evil .

can i admit xxx is as deep as a petri dish and as well-characterized as a telephone book but still say it was a guilty pleasure ?

a hugely rewarding experience that 's every bit as enlightening , insightful and entertaining as grant 's two best films -- four weddings and a funeral and bridget jones 's diary .

jam-packed with literally bruising jokes .

interview with the assassin is structured less as a documentary and more as a found relic , and as such the film has a difficult time shaking its blair witch project real-time roots .

it 's mildly interesting to ponder the peculiar american style of justice that plays out here , but it 's so muddled and derivative that few will bother thinking it all through .

it 's actually pretty funny , but in all the wrong places .

the narrative is so consistently unimaginative that probably the only way to have saved the film is with the aid of those wisecracking mystery science theater 3000 guys .

film ca n't quite maintain its initial momentum , but remains sporadically funny throughout .

it appears to have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up .

reign of fire has the disadvantage of also looking cheap .

to call this one an eventual cult classic would be an understatement , and woe is the horror fan who opts to overlook this goofily endearing and well-lensed gorefest .

a distinguished and thoughtful film , marked by acute writing and a host of splendid performances .

grant is n't cary and bullock is n't katherine .

a terrible adaptation of a play that only ever walked the delicate tightrope between farcical and loathsome .

not just unlikable .

a fresh-faced , big-hearted and frequently funny thrill ride for the kiddies , with enough eye candy and cheeky wit to keep parents away from the concession stand . '

priggish , lethargically paced parable of renewal .

disgusting .

excruciatingly unfunny and pitifully unromantic .

films about loss , grief and recovery are pretty valuable these days .

-lrb- it 's -rrb- a clever thriller with enough unexpected twists to keep our interest .

as if drop dead gorgeous was n't enough , this equally derisive clunker is fixated on the spectacle of small-town competition .

but believe it or not , it 's one of the most beautiful , evocative works i 've seen .

real women have curves wears its empowerment on its sleeve but even its worst harangues are easy to swallow thanks to remarkable performances by ferrera and ontiveros .

the film 's plot may be shallow , but you 've never seen the deep like you see it in these harrowing surf shots .

the two leads , nearly perfect in their roles , bring a heart and reality that buoy the film , and at times , elevate it to a superior crime movie .

a little objectivity could have gone a long way .

mastering its formidable arithmetic of cameras and souls , group articulates a flood of emotion .

... a great , participatory spectator sport . '

... really horrible drek .

wang xiaoshuai directs this intricately structured and well-realized drama that presents a fascinating glimpse of urban life and the class warfare that embroils two young men .

the problem is that the movie has no idea of it is serious or not .

a must for fans of british cinema , if only because so many titans of the industry are along for the ride .

but it 's hard to imagine a more generic effort in the genre .

what makes it worth watching is quaid 's performance .

snoots will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but rarely does an established filmmaker so ardently waste viewers ' time with a gobbler like this .

... stale and uninspired .

hey , happy !

perfectly pitched between comedy and tragedy , hope and despair , about schmidt instead comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness .

it reaffirms life as it looks in the face of death .

it 's the humanizing stuff that will probably sink the film for anyone who does n't think about percentages all day long .

if the full monty was a freshman fluke , lucky break is -lrb- cattaneo -rrb- sophomore slump .

rarely does a film so graceless and devoid of merit as this one come along .

this comic gem is as delightful as it is derivative .

for all its brilliant touches , dragon loses its fire midway , nearly flickering out by its perfunctory conclusion .

no , i love it ... hell , i dunno .

dull , a road-trip movie that 's surprisingly short of both adventure and song .

baran is shockingly devoid of your typical majid majidi shoe-loving , crippled children .