label
stringclasses
3 values
text
stringlengths
4
260
positive
if a horror movie 's primary goal is to frighten and disturb , then they works spectacularly well ... a shiver-inducing , nerve-rattling ride .
negative
oedekerk mugs mercilessly , and the genuinely funny jokes are few and far between .
neutral
perhaps the film should be seen as a conversation starter .
positive
spielberg 's first real masterpiece , it deserved all the hearts it won -- and wins still , 20 years later .
neutral
-lrb- haynes ' -rrb- homage to such films as `` all that heaven allows '' and `` imitation of life '' transcends them .
negative
... unlike -lrb- scorsese 's mean streets -rrb- , ash wednesday is essentially devoid of interesting characters or even a halfway intriguing plot .
negative
sheridan 's take on the author 's schoolboy memoir ... is a rather toothless take on a hard young life .
positive
godard has never made a more sheerly beautiful film than this unexpectedly moving meditation on love , history , memory , resistance and artistic transcendence .
negative
under-rehearsed and lifeless
positive
the film offers an intriguing what-if premise .
positive
rarely have i seen a film so willing to champion the fallibility of the human heart .
positive
a witty , low-key romantic comedy .
neutral
an exhausting family drama about a porcelain empire and just as hard a flick as its subject matter .
negative
even the hastily and amateurishly drawn animation can not engage .
positive
with ` bowling for columbine , ' michael moore gives us the perfect starting point for a national conversation about guns , violence , and fear .
positive
it 's the funniest american comedy since graffiti bridge .
neutral
a decidedly mixed bag .
positive
... a delicious crime drama on par with the slickest of mamet .
neutral
it comes off as so silly that you would n't be surprised if ba , murdock and rest of the a-team were seen giving chase in a black and red van .
neutral
paxton 's uneven directorial debut fails to unlock the full potential of what is in many ways a fresh and dramatically substantial spin on the genre .
positive
mostly works because of the universal themes , earnest performances ... and excellent use of music by india 's popular gulzar and jagjit singh .
negative
about the only thing to give the movie points for is bravado -- to take an entirely stale concept and push it through the audience 's meat grinder one more time .
positive
but the performances of pacino , williams , and swank keep the viewer wide-awake all the way through .
neutral
it somehow managed to make its way past my crappola radar and find a small place in my heart
negative
a boring , pretentious muddle that uses a sensational , real-life 19th-century crime as a metaphor for -- well , i 'm not exactly sure what -- and has all the dramatic weight of a raindrop .
positive
blessed with a searing lead performance by ryan gosling -lrb- murder by numbers -rrb- , the movie is powerful and provocative .
neutral
this movie has a strong message about never giving up on a loved one , but it 's not an easy movie to watch and will probably disturb many who see it .
neutral
although it does n't always hang together -- violence and whimsy do n't combine easily -- `` cherish '' certainly is n't dull .
negative
the film desperately sinks further and further into comedy futility .
positive
there 's none of the happily-ever - after spangle of monsoon wedding in late marriage -- and that 's part of what makes dover kosashvili 's outstanding feature debut so potent .
negative
the entire film is one big excuse to play one lewd scene after another .
neutral
an unremarkable , modern action\/comedy buddy movie whose only nod to nostalgia is in the title .
positive
a backstage must-see for true fans of comedy .
neutral
but i do .
neutral
who is this movie for ?
negative
ozpetek offers an aids subtext , skims over the realities of gay sex , and presents yet another tired old vision of the gay community as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves .
negative
the leads are so unmemorable , despite several attempts at lengthy dialogue scenes , that one eventually resents having to inhale this gutter romancer 's secondhand material .
negative
a relative letdown .
positive
brings an irresistible blend of warmth and humor and a consistent embracing humanity in the face of life 's harshness .
neutral
with miscast leads , banal dialogue and an absurdly overblown climax , killing me softly belongs firmly in the so-bad-it 's - good camp .
negative
it 's been 13 months and 295 preview screenings since i last walked out on a movie , but resident evil really earned my indignant , preemptive departure .
negative
starts as an intense political and psychological thriller but is sabotaged by ticking time bombs and other hollywood-action cliches .
neutral
unspools like a highbrow , low-key , 102-minute infomercial , blending entrepreneurial zeal with the testimony of satisfied customers .
neutral
it 's a sight to behold .
neutral
the setting is so cool that it chills the characters , reducing our emotional stake in the outcome of `` intacto 's '' dangerous and seductively stylish game .
neutral
if you 're not totally weirded - out by the notion of cinema as community-therapy spectacle , quitting hits home with disorienting force .
neutral
better than the tepid star trek : insurrection ; falls short of first contact because the villain could n't pick the lint off borg queen alice krige 's cape ; and finishes half a parsec -lrb- a nose -rrb- ahead of generations .
neutral
at times the guys taps into some powerful emotions , but this kind of material is more effective on stage .
neutral
anyone else seen this before ?
neutral
bearable .
neutral
mostly the film is just hectic and homiletic : two parts exhausting men in black mayhem to one part family values .
negative
horrendously amateurish filmmaking that is plainly dull and visually ugly when it is n't incomprehensible .
negative
after collateral damage , you might imagine that most every aggrieved father clich茅 has been unturned .
positive
laugh-out-loud lines , adorably ditsy but heartfelt performances , and sparkling , bittersweet dialogue that cuts to the chase of the modern girl 's dilemma .
negative
viewers will need all the luck they can muster just figuring out who 's who in this pretentious mess .
neutral
the director has injected self-consciousness into the proceedings at every turn .
positive
a well-done film of a self-reflexive , philosophical nature .
neutral
wiser souls would have tactfully pretended not to see it and left it lying there
neutral
how i killed my father is one of those art house films that makes you feel like you 're watching an iceberg melt -- only it never melts .
neutral
sometimes shorter is better .
neutral
as schmidt , nicholson walks with a slow , deliberate gait , chooses his words carefully and subdues his natural exuberance .
neutral
hardly a nuanced portrait of a young woman 's breakdown , the film nevertheless works up a few scares .
neutral
a penetrating glimpse into the tissue-thin ego of the stand-up comic .
neutral
the problems of the people in love in the time of money are hardly specific to their era .
neutral
the question hanging over the time machine is not , as the main character suggests , ` what if ? '
positive
it 's a head-turner -- thoughtfully written , beautifully read and , finally , deeply humanizing .
negative
as it is , it 's too long and unfocused .
neutral
the movie , while beautiful , feels labored , with a hint of the writing exercise about it .
neutral
the symbols float like butterflies and the spinning styx sting like bees .
neutral
the result is more depressing than liberating , but it 's never boring .
negative
further sad evidence that tom tykwer , director of the resonant and sense-spinning run lola run , has turned out to be a one-trick pony -- a maker of softheaded metaphysical claptrap .
neutral
benigni presents himself as the boy puppet pinocchio , complete with receding hairline , weathered countenance and american breckin meyer 's ridiculously inappropriate valley boy voice .
neutral
i highly recommend irwin , but not in the way this film showcases him .
positive
payne has created a beautiful canvas , and nicholson proves once again that he 's the best brush in the business .
neutral
meant for star wars fans .
neutral
the video work is so grainy and rough , so dependent on being ` naturalistic ' rather than carefully lit and set up , that it 's exhausting to watch .
neutral
the master of disguise is funny -- not `` ha ha '' funny , `` dead circus performer '' funny .
neutral
cynical and serious look at teenage boys doing what they do best - being teenagers .
positive
nonchalantly freaky and uncommonly pleasurable , warm water may well be the year 's best and most unpredictable comedy .
positive
this is a story that zings all the way through with originality , humour and pathos .
negative
what a stiflingly unfunny and unoriginal mess this is !
negative
as pure over-the-top trash , any john waters movie has it beat by a country mile .
negative
personally , i 'd rather watch them on the animal planet .
positive
as commander-in-chief of this film , bigelow demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world .
negative
an annoying orgy of excess and exploitation that has no point and goes nowhere .
positive
astonishing ... -lrb- frames -rrb- profound ethical and philosophical questions in the form of dazzling pop entertainment .
neutral
more than simply a portrait of early extreme sports , this peek into the 1970s skateboard revolution is a skateboard film as social anthropology ...
neutral
quelle surprise !
positive
bursting through the constraints of its source , this is one adapted - from-television movie that actually looks as if it belongs on the big screen .
negative
dismally dull sci-fi comedy .
positive
executed with such gentle but insistent sincerity , with such good humor and appreciation of the daily grind that only the most hardhearted scrooge could fail to respond .
neutral
may seriously impair your ability to ever again maintain a straight face while speaking to a highway patrolman .
positive
grenier is terrific , bringing an unforced , rapid-fire delivery to toback 's heidegger - and nietzsche-referencing dialogue .
negative
burns ' fifth beer-soaked film feels in almost every possible way -- from the writing and direction to the soggy performances -- tossed off .
neutral
if reno is to the left of liberal on the political spectrum , her tough , funny , rather chaotic show is n't subversive so much as it is nit-picky about the hypocrisies of our time .
positive
a first-class road movie that proves you can run away from home , but your ego and all your problems go with you .
neutral
maybe thomas wolfe was right : you ca n't go home again .
neutral
the plot 's clearly mythic structure may owe more to disney 's strong sense of formula than to the original story .
negative
the nonstop artifice ultimately proves tiresome , with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations .
negative
it makes me say the obvious : abandon all hope of a good movie ye who enter here .